All his six surviving sons became heads or assistant heads of makeup departments of major studios.
Montague George Westmore (1902–40), first worked free-lance for such directors as Cecil B. deMille but eventually joined the studios of David O. Selznick, supervising makeup during the screen tests.
Percival Harry Westmore (1904–70), headed the makeup department of First National Pictures and then of the company that absorbed it, Warner Brothers, where he remained for 27 years, joining Universal Studios only late in life. Perc was also the chief administrator of the elegant salon on Sunset Boulevard, The House of Westmore, though all the family were financially involved.
Perc’s twin brother, Ernest Henry Westmore (1904–68), worked first at First National and then became head of makeup at RKO; while there he won the first award ever given to a makeup artist by the Academy of Motion Picture Arts and Sciences, for his work on the film Cimarron. Ern later supervised makeup at 20th Century-Fox Film Corporation. Ern was considered the most talented of the Westmore brothers and He was the director of make-up on over 50 films during his career.
Walter James Westmore (1906–73), headed the makeup department at Paramount Studios for 41 years where he created Fredric March's gruesome transformation in "Dr. Jekyll and Mr. Hyde" as well as the makeup on such films as "Double Indemnity", "Sunset Boulevard", "A Place In The Sun", "Rear Window", and "Breakfast At Tiffany's".
Walter James Westmore (1906–73), headed the makeup department at Paramount Studios for 41 years where he created Fredric March's gruesome transformation in "Dr. Jekyll and Mr. Hyde" as well as the makeup on such films as "Double Indemnity", "Sunset Boulevard", "A Place In The Sun", "Rear Window", and "Breakfast At Tiffany's".
Hamilton Adolph Westmore (1918–73), known as “Bud,” worked at Paramount and 20th Century-Fox and then was makeup chief at Universal Studios for almost 24 years (1946–70).
Frank Westmore (1923–85) was long associated with Paramount Pictures. Some third-generation Westmores also became prominent in the art of makeup—not only in theatrical makeup but also in therapeutic makeup for victims of facial burns, diseases, or accidents. Also George Westmores granddaughters have became actresses in the film business.
Frank Westmore (1923–85) was long associated with Paramount Pictures. Some third-generation Westmores also became prominent in the art of makeup—not only in theatrical makeup but also in therapeutic makeup for victims of facial burns, diseases, or accidents. Also George Westmores granddaughters have became actresses in the film business.
Photographic and Information sources:
http://www.britannica.com/EBchecked/topic/641129/Westmore-Family
http://www.tcm.com/tcmdb/person/204669%7C24798/Bud-Westmore/family.html
http://www.filmreference.com/Writers-and-Production-Artists-Vi-Win/The-Westmore-Family.html
http://ahollywoodflashback.blogspot.co.uk/2013/09/hollywoods-golden-age-behind-scenes_19.html
http://www.imdb.com/media/rm2510980608/tt1688059
http://makeupmag.com/images/5322_MA_17_House%20of%20Westmore.jpg
http://www.tcm.com/tcmdb/person/204669%7C24798/Bud-Westmore/family.html
http://www.filmreference.com/Writers-and-Production-Artists-Vi-Win/The-Westmore-Family.html
http://ahollywoodflashback.blogspot.co.uk/2013/09/hollywoods-golden-age-behind-scenes_19.html
http://www.imdb.com/media/rm2510980608/tt1688059
http://makeupmag.com/images/5322_MA_17_House%20of%20Westmore.jpg
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